French popular music in Japan: Just my humble opinion or one fact that I particularly notice for the past couple of years in Tokyo when drop by the record store Tower Records (*) (in Shibuya, Shinjuku). Their display space of the French music is reduced to almost two-thirds and this direct showcase looks flat now. Perhaps no new releases or artists to cover or to watch for them. At least, I remember they or the record label strenuously launched Zaz for a year or two.
In fact, neither Japanese radio nor magazines seem to have little room for the French popular music/actuality today or for decades after the late-seventies (I've not looked into the reason) and no phenomenal French hit song since then, while people have easy access to all the music and the info through Internet in our time. It was 6 years ago Sylvie Vartan's new CD Sylvie In Nashville (Jananese version/April 2014) was exhibited, to my joy. The radio routinely broadcasts, however, the two classics:「Irresistiblement」 「La Plus Belle...」. (* The only large store. popular for their longtime voice No Music, No Life still exists, while their competitors such as HMV/Virgin Megastore closed down about 11 to 16 years ago. Their another pub now: No Vinyl, No Life.)
SYLVIE, LE RECITAl - LONG-AWAITED NEW FORM OF LIVE, with a small group of exclusive musicians, at Theatre Edouard VII, an established venue opened 1911. That creates a feeling of even stronger expectations for the event, performance of Sylvie Vartan, whose aspiration was to become a theater/film actor. She was born to be a dynamic singer in my eyes, though. (The recital is rescheduled: changed from April to October 2021 because of the prolonged pandeimc covid19.)
A recital of elegant active Sylvie Vartan, who is a rough synonym for Le smoking tuxedo suit to my eyes, rather than a traditional long dress that conveys an image of the good old days' "chanson" singers, late in her career. Vartan - far from or opposite of a manipulated still-life or something on the scene - in a super chic smoking noire in a minimalist decor or whatever throughout her career! A dream.
Sylvie Vartan, a formidable live performer who is varied in personality and gifts and not to be categorized into one certain type. Her earlier grand spectacles also had an apect of recital with soulful singing and all. Many must have been impressed by her renditions. It's not a regular singing kind of literal, manipulated, controled, finess. It's that delicate but still rough aruond the edge and dynamic, which is a part of the values she has and something irresistible from the beginning. Never easy to describe her performance in one single phrase. Obviously she has that distinctively wild warm graceful husky voice and characteristic SPIRITED move. Sylvie Vartan in person always far more marvelous in every respect, different from what we indirectly see at a glance on the Internet, TV, etc. That is what I find in every concert in Tokyo. 2018 included.
Sylvie Vartan, not a regular star but an out-of-the-ordinary star of French popular music. 2021 marks Vartan's 60th anniversary as a concert performer.
PASSION is what the music is for her. (source: Televised interview of TV TOKYO around end-Sept. 1990 at her Parisien residence, aired in Jan. 1991.)
- FRENCH MAGAZINE,SCHNOCK
SYLVIE VARTAN SPECIAL EDITION (no.34/SPRING ISSUE 2020)
Superb Sylvie Vartan is on the front cover of unique French quarterly periodical SCHNOCK, the main feature (one third of the total pages 175) of the Spring edition issued in March 2020. Their motif of this impressive cover illustration is taken from Sylvie Vartan's standout English-language album of 1979: I DON'T WANT THE NIGHT TO END.
Their choice and dessin that is bold still nicely done with a certain grace are quite contrary to other banal stereotypical views and well refrect one aspect of the artist Sylvie Vartan. The contents: Interview with Sylvie Vartan, her history, their own top 20 of Vartan's songs including PARLE-MOI DE TA VIE with comments: L'une des plus belles chansons francaises. (One of the most beautiful French songs.) The front cover drawing and interview (what Vartan says about herself) are most interesting to me.